Deadwood’s SS26 "Sands of Icarus" Collection: A Cautionary Ode to Human Hubris
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By PAGE Editor
In August, Stockholm-born label Deadwood descended into the shadowy catacombs of Villa Copenhagen to unveil "Sands of Icarus," its SS26 collection—a meditation on the consequences of humanity’s reckless pursuit of progress. The presentation posed a haunting question: What happens when we fly too close to the sun and lose control of the very technology we created?
Inside the cavernous ballroom, artist Dominic Kiessling conjured a living sandstorm from billowing parachute cloth, a shifting mirage that swelled and collapsed as models navigated its turbulent eye. The collection’s palette mirrored its apocalyptic narrative, evolving from scorched-earth tones—dusty sand, olive drab, and terracotta—into the cold, metallic shimmer of silica, as if remnants of a civilization stripped bare.
Textures clashed with deliberate dissonance: dry-rotted canvas against futuristic mesh, cracked leather against recycled aluminum. Each piece was crafted from salvaged waste, elevated by experimental materials like natural latex—proof that beauty can emerge from ruin. Guest designer Salvatore Vignola lent a counterbalance of sensual lightness, softening the collection’s raw, industrial edge.
More than a fashion show, "Sands of Icarus" served as an allegory—an homage to human curiosity and a warning against blind ambition. It asked: When the storm comes, do we resist change, surrender to it, or move with its rhythm? Deadwood’s answer was clear: adaptation is survival. The collection didn’t just imagine the fall; it reveled in the artistry of rebirth.
See full runway here:
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